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audience, character, cinema, drama, film, inner story, movie, Screenwriting, scriptwriting, story, TV, TV drama, writing
Having a problem writing a drama script?
Do you find it’s full of wonderful character development but somehow it just doesn’t come together? Or you like it but your story isn’t getting across to the people who read it?
There is a rather pernicious false division in some industry people’s minds between “drama” and “genre” – as in “it’s not a genre movie, it’s drama” – as if Drama were not a genre in cinema and TV. Of course it is, and a very well defined genre, albeit one with many variations. And like all genres it has major traps for the unwary writer.
What’s the story?
If the major problem with action movies is that the writer forgets to write the Inner Story – what it is that really drives the characters along – the major problem with drama is the opposite.
Most drama scripts are almost all Inner Story – what we remember is not the characters’ outer goals but their inner struggles. Nowhere is this clearer than in Rite of Passage stories, including Coming of Age.
We are so absorbed by the Inner Story of (say) About Schmidt (Schmidt learning to live with old age) that we remember little or nothing of the Outer Story. Can you remember it? (See below). Or the Outer Stories of Stand By Me, What’s Eating Gilbert Grape, Diner or The Big Chill?
Get Outside
If you’re stuck with a drama, the chances are you’ve neglected the Outer Story. Go and check it out now. If you haven’t got one – invent one. You have to have one, even if nobody will remember it! It can be as simple as driving to your daughter’s wedding (that’s the outer story of About Schmidt – did you get it?) or walking through the woods looking for a dead body (Stand By Me).
If you already have an Outer Story, then you may need to focus on it a bit more.
Social Drama and Coming of Age
This is just one of the requirements that get forgotten for Drama, for either film or television. You also need to know what emotions the audience will expect, the role of society in a drama story, what story patterns you have to deliver, and how to deliver them in fresh and surprising ways.
If you want to know more, I’m running a workshop in Social Drama and Coming of Age in London for Euroscript at 6.15pm on Tuesday 28 September. We look at a number of Drama stories in particular Juno – you get a free full script of Juno included in the price. It’s a small training and getting quickly booked up, but there are still a few places left – to find out more and book click here.
And have fun making a drama out of your story.
6 Comments
Charles Harris said:
February 23, 2011 at 7:35 pm
Richard Parkin wrote:
Dear Charles
“Of course [Drama] is … a very well defined genre, albeit one with many variations.”
Indeed, but you only mention two variations: ‘Social Drama’ and ‘Rite of Passage’. The UK seems to churn out these two. I wondered what the others were. It might be useful for some of us to try something else. Just for a change.
For example, to what drama genre does ‘The Father of My Children’ belong?
best wishes
Charles Harris said:
February 23, 2011 at 7:36 pm
Hi Richard
Excellent question. In fact I use the term Social Drama to cover the entire Drama genre – historically known as Melodrama. I find the two terms confuse people. Melodrama makes people think of being melodramatic and Drama can be used vaguely to mean anything fictional.
So I add Social to remind us that all Drama privileges a crucial role for the society around the central character – not necessarily only in gritty kitchen sink drama!
First, almost any genre with drama in the title: romantic drama, historical drama, legal drama, political drama, medical drama, therapy drama, etc.
Then there’s what I call drama drama (ie putting on a play) and road movie.
Most drama films are a cross between at least two of these (eg: rite of passage/road movie)
I haven’t seen ‘The Father of My Children’ but the IMDB synopsis mentions family and film production, so it sounds like it’s a cross – family drama and drama drama. You could probably be more specific knowing the key elements.
Best wishes
Charles
Charles Harris said:
February 23, 2011 at 7:37 pm
Richard Parkin:
“Drama drama” – Good one! But how about the less tautological ‘backstage drama’, which includes theatre, vaudeville, ballet, fashion (shows), film production, and music?
best wishes
Richard P
Charles Harris said:
February 23, 2011 at 7:38 pm
“Backstage drama” is nice, and I still like the tautology! It has a ring to it.
C
alfiesaden said:
January 4, 2012 at 11:50 am
hi there – is it just me !! can any one explain why when i type in the bing browser “chasharrisfootloose.wordpress.com” i get a different site yet whe i type it in google its ok? could this be a bug in my system or is any one else having same probs ?
alf
Charles Harris said:
January 4, 2012 at 6:23 pm
Hi Alf – Do you get the same problem if you type www in front? Or htt://? I find that not having the www can confuse some software.