The biggest synopsis mistake that writers make
I see hundreds of treatments and synopses and most have clearly been slaved over by their writers, but there are still half a dozen major mistakes that sabotage them, no matter how good they are…
I see hundreds of treatments and synopses and most have clearly been slaved over by their writers, but there are still half a dozen major mistakes that sabotage them, no matter how good they are…
The concluding part from guest blogger Yvonne Grace on story structure for TV series and serials, Creating Story Legs. Yvonne is an experienced writer, script editor and producer of TV series and serials, and the…
Today we have the first of a fascinating two-part post by guest blogger Yvonne Grace on story structure for TV series and serials, Creating Story Legs. Yvonne is an experienced writer, script editor and producer…
I have to confess: much of what I know about life, let alone screenwriting, has come from football, and in particular the World Cup. There, I’ve said it. Feel free to shun me and pass…
A big welcome to experienced producer, script-editor and writer Yvonne Grace, who drops in from Scriptadvice.com to talk about the best way to work with a script editor. I am often asked by my writers…
If you want to write for film or TV, then treatments, outlines, synopses (the terms are interchangeable in the industry) are something you have to get good at. And to write good treatments there are six things you’ll need to know.
I’ve been running my Exciting Treatments workshop for over ten years now, and one of the first questions I’m asked is alway, How long is a treatment supposed to be?
It’s true screenplays don’t offer a great variety of style or voice – but that doesn’t apply to treatments, synopses and outlines. There are far fewer style rules for such outlines of your story.
Have you made a New Year’s Resolution? To start that script? Or finish it? To start selling the novel you finished? To get proper feedback? To write more? Or less? Do you really think you’re…
Today we have an attribute that I didn’t recognise for a long time. When great artists of all kinds are discussed we usually get a load of blah about originality and spontaneity as if great…
Here’s a screenwriting tip that will make your life so much easier. And before I get to it, just a word about difficulty. Many screenwriting books seem to want to make screenwriting hard – and…
A true story can be a massive elephant trap. I know, I’ve fallen in more than once. Like pebbles straight out of the sea, true stories seem so gleaming and fresh and full of potential…
No writer can survive without it. It’s that crucial device that sits just between your ears and tells you when you’re coming up with crap.
It was great seeing so many people last night at Euroscript for the conversation I had with Linda Aronson (writer and guru!) – she was in good form and full of useful advice on all…
Here’s a tip that will work for just about every script, novel, short story, short film, movie or TV series.
Having a problem writing a drama script? Do you find it’s full of wonderful character development but somehow it just doesn’t come together? Or you like it but your story isn’t getting across to the people who read it?
I’ve written before that good screenwriters often get tangled up writing treatments. One major reason is that they are simply using the wrong style.
What is it that makes a great writer great? What can we learn from them and hope to emulate? OK, it’s that time of year and maybe the heat’s got to me, but I’m starting a list – my Top Ten Attributes displayed by the greatest writers – those I admire and honour. I don’t mean that they use or don’t use adverbs or three act structure. This is much more personal. And like every list it is totally fallible and biased and mainly intended to annoy, irritate and make people foam at the mouth.