How to make your script editor-friendly
A big welcome to experienced producer, script-editor and writer Yvonne Grace, who drops in from Scriptadvice.com to talk about the best way to work with a script editor. I am often asked by my writers…
A big welcome to experienced producer, script-editor and writer Yvonne Grace, who drops in from Scriptadvice.com to talk about the best way to work with a script editor. I am often asked by my writers…
To create living, interesting characters, you need to draw on your experience of life, and add to it. Or to put it another way, bring us your unique take on people. Here are 8 ways to help you do exactly that.
Do you find it difficult to structure a treatmentso that it grips the reader as strongly as the full script? Join the club. I don’t think any writer enjoys distilling their exquisitely crafted scripts down…
Losing faith in your work happens to the best writers – and it can be lethal. The story starts to feel flat. The emotions false. The scenes mechanical. Soon you wonder what you even saw in the idea.
Writing a good, compelling, readable treatment is tough. It’s difficult enough to write a script – but then to boil the whole thing down from 90+ pages to one or two…! However it’s a crucial part of a screenwriter’s job. Here are three of my top tips.
I have a soft spot for Le Carré and I went to see Tinker, Tailor, Soldier, Spy with certain trepidation. The reviews were good, but not universally so, and adaptations can be dire – especially…
Want your script to stand out from the crowd? Want it to be read from cover to cover and passed from hand to hand? It’s time to discover your inner playfulness. Playfulness is not the…
It’s true screenplays don’t offer a great variety of style or voice – but that doesn’t apply to treatments, synopses and outlines. There are far fewer style rules for such outlines of your story.
Back from holiday, ready to get back to the writing and everything slowed down. I felt ill, my back hurt, I was lethargic, my head spun, my brain felt full of fog. I had a hundred reasons for why I couldn’t get down to it.